Ph.D.s completed at UW-Madison

2012

  • BEGALI, Mattia (Italian), Omero e l’unità dei saperi:  Epica ed enciclopedia delle scienze tra sei e settecento
  • TURCAT, Eric (French), Les Ambivalences du Silence:  Les Maximes de la Rochefoucauld par Quatre Chemins
  • VOELKER, Franz (French), Le travail de l’élégie chez trois poétes contemporains:  Jude Stéfan, James Sacré et Dominique Fourcade
  • GUIDARELLI, Lodovica (Italian), Le forme del vero:  letteratura e pittura dal Verismo alla scuola Metafisica
  • SIMMONS, Sandra (French), The Thinking Notebooks of André du Bouchet
  • CARADEC, Gwenola (French), “Partie Prenante”:  Environnement Et Poétique dans la littérature Francaise et Francophone des XXème & XXIème siècles
  • BACHMAN BARTER, Anna (French), “J’écris sur la musique”:  Writing on Music in Three Texts by George Sand

2011

  • CICCONE, Lidia (Italian), Isolitudine:  Migrazione ed esilio nella letteratura Siciliana da Verga a Vittorini
  • DONALDSON, S. Olivia (French), Bordering Bodies, Migrating Selves:  A Geo-Textual Exploration of Sex, Skin and Speech in Contemporary Francophone Life Narratives
  • THEOBALD, Anne (French), Stages in the Novel:  Theatrical Characteristics in Sorel’s histoires comiques
  • GUZZETTI-SAPOSNIK, Sara (Italian), Rebecca ed Erodiade:  L’immagine della donna ebrea in tre romanzi italiani traOttocento e Novecento
  • CONVERTINI, Tania (Italian), Il bambino cinematografico tra familiglia e pavra.  Rappresentazioni dell’infanzia nel cinema italiano dagli anni Settanta ad oggi
  • FIORETTI, Daniele (Italian), Scenari (im)possibili:  utopia e distopia nella letteratura italiana tra avanguardia e sperimentalismo
  • CANTINI-MALTERER, Maristella (Italian), La Rappresentazione della Donna Lesbica in Dacia Maraini:  tra costruzione del genere e decostruzione del genre
  • ROMANELLI, Claudia (Italian), Pasolini  sceneggiatore di Fellini:  Analisi del contributo dato da Pier Paolo Pasolini alla scrittura de le notti di Cabiria Viaggio con Anita e la dolce vita
  • GILEBBI, Matteo (Italian), La Costellazione Volponi: Marginalità, Sperimentalismo, Avanguardia,Postmoderno
  • NODOT-KAUFMAN, Claire (French), Les irrégulières:  une étude de la menstruation chez Marie Cardinal, Marie Darrieussecq, Amélie Nothomb et Jacqueline Harpman
  • LEELAH, Preeamvada (French), Ecrire et convaincre:  L’art de la persuasion chez les philosophes et les antiphilosophes
  • DEWOLF, MaryAnne (French), Les teints de l’altérité sous la plume rouge
  • DESANTI, Chiara (Italian), Privet, compagno!  Gli intellettuali Italiani in Unione Sovietica negli anni Cinquanta
  • POULIN, Renée Anne (Italian), Sacred and Profane Opera in Rome:  Pre-Metastasian Libretti (1623-1721)

2010

  • WATLAND, Jennifer (French), Peindre au Vif:  Pictorial discourse in the Poetry of Pierre de Ronsard, Théodore-Agrippa d’Aubigné and César De Nostredame
  • SEGER, Monica (Italian), Mislaid Landscapes:  Environmental Change and Interstitial Terrain in Calvino, Pasolini, Celati, Vinci and Ciprì & Maresco

2009

  • GAROIU, Monica (French), Les je-ux de la Morale et de l'ecriture dans les œuvres de Montaigne, Pascal, Camus et Cioran
  • VAKUNTA, Peter (French), Literary Indigenization in the Novels of Nazi Boni, Ahmadou Kourouma and Patrice Nganang
  • O'DELL, Gretchen Suechting (French), Forbidden Movement, Traveling Sound: Vagabondage in the works of Daniel Maximin, Gisèle Pineau, and Patrick Chamoiseau
  • NIANG, Mouhamedoul (French), La Représentation de l'espace et de l'hybridité dans la littérature francophone subsaharienne et créoliste
  • MAGERMANS, Andrea (French), Women Writing Letters/Writing Letters as Women: Eighteenth-Century Representations of Female Epistolarity
  • MINARDI, Enrico (Italian), Funzione e Significato dell'Exemplum nel Purgatorio di Dante
  • BAŠIĆ, Nataša (French), Memory and Apprenticeship in Gustave Flaubert's L'Education Sentimentale and Marcel Proust's A la Recherche du temps perdu

2008

  • MOYLE, Matthew (French), Places, Faces, and the Word "God" in Three Novels by Sylvie Germain
  • JOSSART, Aaron (French), Acts of Viewing in Stendhal, Zola, Maupassant, and the Goncourt Brothers
  • SORANZO, Matteo (Italian), Conjecture and Inspiration: Astrology, Prophecy and Poetry in Quattrocento Naples
  • MAZZA, Eugenia (Italian), Scittori, Registi e Cantastorie dall'Africa e Medio Oriente nell'Italia Contemporanea
  • VANTINE, Peter (French), Entre Fantaisie et Réalisme: Texte, Contexte et Métatexte dans les Premiers Romans des Frères Goncourt
  • WASIELEWSKI, Kristin (French), Savoir-rire à la Française: Female use of Humor and Witticisms in Marguerite de Navarre's L'Heptaméron
  • FARRELL, Marcy (French), Magic Markings: Intersections of the Marvelous and the Modern in Short French Fiction

2007

  • ATKINS, Elizabeth (French), The Sacred and the Moral in the Age of Sensibility: Readings in Eighteenth-Century French Literature and Religious Discourse
  • XAVIER, Subhagnana (French), L'économie du Texte Migrant: Pour une Théorie de la Littérature Migrante Française
  • BLUNK, Catherine (French), La Vois des Hiraus: The Poetics of the Tournament in Late Medieval Chronicle and Romance
  • BOLANDER, Christopher (French), Neither Here nor There: (De)Centered Portraits of Montréal in Five Texts from Québec

2006

  • GRILLI, Renata (Italian), Il viaggio nel cinema di Michelangelo Antonioni
  • QUADRIO-CORIGLIANO, Alessandra (Italian), Amalia Guglielminetti: Vita e Arte in Stile Liberty
  • BOSELLI, Stefano (Italian), One-Act Plays in the Italian Theater (1735-1925): Structural Developments and Interpretations

2005

  • FLAUGH, Christian (French), On Normalities: Freaks of Culture, Bodies, and Ability in the Late Twentieth-century Francophone Novel.
  • GOELLNER, Samedi (Sage) (French), Writing With Empire: Intertextual Representation in Algerian Francophone Literature.
  • BATY, Devan Kendall (French), The Production of Fear; Women and Passion in the Histories Tragiques.
  • KRUEGER-ENZ, Molly (French), In Between Identities: Representations of the Island and Mulatto in Nineteenth-Century French Fiction.
  • SCHWARTEN, James (Italian), Historical Phonology of the Dialect of Civita d'Antino in the Fal Roveto (Abruzzo, Italy).
  • VITULLO, Marina (Italian), L'ereditá del Cantico Dei Cantici in tre poeti italiani del XIII Secolo (iacomo da Lentini, Guido Guinizzelli e Dante Alighieri)
  • GUALTIERI, Teresa (Italian), Birds of Prey and the Sport of Falconry in Italian Literature through the Fourteenth Century: From Serving Love to Served for Dinner
  • SLOCUM, Maria (French), Reading Jean Genet's Solitude Through Works by Alberto Giacometti and Antonin Artaud
  • CASEBIER, Karen (French), The Conflation of the Sacred and The Profane in Thirteenth-Century Devotional Literature: Generic Fluidity in Old French Vernacular Hagiography and Manuscripts of La Vie Des Pères

2004

  • HALL, Mark Andrew (French), Still Life: Apollinaire, Reverdy, and the Modern Lyric
  • FASOLINI, Diego (Italian), Cantus trigesimus tertius et ultimus Paradisi, in quo ponitur quantum autor intellexit de divinitate: un'analisi interpretativa della rappresentazione di Dio nel XXXIII canto del Paradiso dantesco
  • BENEDICTY, Alessandra (French), Problematizing the Search for Authenticity in Caribbean French Literature: Haiti, Vodou and Creole Poetics of Franketienne, Jean-Claude Fignole, and Ren Depestre.
  • DEVEREUX HERBECK, Mariah (French), Narrative Drifters: Walking Away From the Traditional Male Gaze in Twentieth-Century French Novels and Films.
  • OLIVIER-WALLIS, Veronique (French), The Representation of the French Feminine Self in the Aftermath of the French Revolution.

2003

  • BERGLUND HALL, Elizabeth (French), Textual Tensions: Reading (with) Hélène Cixous
  • FERRI, Luigi (Italian), Elementi Personali E Politici Nella Produzione Letteraria E Saggistica Di Carlo Emilio Gadda
  • MILLIGAN, Gerry P. (Italian), Performing Masculinity: Male Gender in Conduct Manuals and Theatre of the Italian Renaissance

2002

  • HERBECK, Jason Ryan (French) Awakening Routinists: Consciousness, Quest and Albert Camus
  • BEKHECHI, Amine M. ( French) Les intellectuels et les écrivains algériens francisés, une étude politico-littéraire de leur engagement
  • McDONALD, Eileen L. (French) Through Western Eyes: A Model of Literary and Cultural Analysis for Teaching Francophone Sub-Saharan African Literature
  • PAMPINELLA-CROPPER, Margherita (Italian) Family and the Body Politic in Dante's Divine Comedy: Classical and Medieval Metamorphoses
  • RIZZI, Nunzio (Italian) Societa e teatro al tempo del dogato Giritti: uno studio comparatisto fra La Veniexiana, Celestina, La Mandragola, e i Dialoghi di Ruzante

2001

  • RITTERBUSH, Rachel (French), In Search of the 'Duras Effect'
  • HERTICH, Alexander (French), The Mobius Strip: Intertextual Turns in Raymond Queneau's Le Chiendent
  • GREEN, Dawn (Italian), Imagining the Past:The Role of the Fantastic in Italian Women's Historical Fiction
  • GENDRON, Sarah (French), Beginning Again: Reading Repetition with Beckett, Derrida, and Deleuze
  • HARRISON, David (French) Satire and the Ambiguous Comic:The Verbal Portrait and Saint-Simon's Memoirs
  • SAMUELS, Jodi (French), Cited Theatre as Commentary
    in the Nineteenth-Century French Novel

2000

  • SCHULTZ, Kennedy (French), Representations of Toussaint Louverture and the Haitian Revolution in the Plays of Glissant, Césaire, and Dadié
  • GOSSON, Renee (French), From the Mornes to the Mangrove: An Ecocritical Approach to Resistance in the French West Indian Novel
  • LYNGAAS, Scott (French), Telling Stories About the Past: The Historical Fictions of Marguerite Duras, Edouard Glissant, and Anne Hébert
  • LEAHY, Elise (French), Hélène Cixous's Mature History Plays: History as Family Struggle
  • CARLON, Ann (French), "Aller me suffit" The Dynamics of Life Movement in the Poerty of Andre Chedid
  • RASSIER, Rebeca (French)History, Literature and the Representation of Women in Eighteenth Century France

1999

  • HOY, Lise Rempel (French), Reading, Writing and Imagining the Production of Meaning in the Novels of Flaubert, Huysmans and Proust
  • OLIAI, Atefeh (French), Interdisciplinary Approach to Foucault's Texts on Iranian Revolution
  • CREAMER, Paul (French), Choices in the Chain: How the Medieval Scriptorium's "Assembly Line" Influenced Le Conte Du Graal's Illustrations
  • HAAHR, Holly (French), Je est un autre: Intertextual Readings of Arthur Rimbaud's Poesies
  • HAYES, Wayne (French), Paradise Regained: Reviving Camus in the Wake of Post-Colonial Criticism
  • POISSON, Jean-Marc (French), Chamfort Continuateur de la Rochefoucauld et de la Bruyere
  • FISH, Scott (French), Coming out of the Text: Discovering Sexual Identity in Andre Gide's Espace Autobiographie
  • HOCHMAN, Hugh (French), Writing our Place in the World: a Study of the Poetry of Yves Bonnefoy and Eugene Guillevic
  • KIRKHAM, Kristin (French), The Color-Line Dialectic: Problematics of Perception, Interpretation, and Representation in the Novels of Balzac, Zola, and Proust
  • PONCELET, Dominique (French), Ecriture et thérapie: Guérisons discursives dans l'oeuvre d'Henri Michaux
  • TRIGGIANO, Tonia (Italian), Newberry Library MS 122: Jérome Among Women of Central Italy, 1300-1600

1998

  • CONLEY, Francine (French), La création d'un espace: The Politics of Space in the Early Works of Ariane Mnouchkine and the Théâtre du Soleil
  • HATCHER, Roberta (French), After Negritude and Nation: The Fiction of Henri Lopes, Y. Y. Mudimbe and Sony Labou Tansi
  • BORGSTROM, Henrik (French), Performing Madness: the Representation of Insanity in 19th- and 20th-Century Theatre
  • WARD, Adrienne (Italian), China in 17th- and 18th-century Italy: Travel Literature, Scholarly/Reformist Writings, Theater
  • MIYASAKI, June (French), The Mirror Shattered: Myth, Language, and Historical [Re]Inscription in Recent French-Language Theatre
  • NEPHEW, Julia (French), The Portrayal of Women's Education: Christine de Pizan to the Dames des Roches (1400-1587)
  • DINI, Andrea (Italian), Dell'Inferno le riscritture Dantesche di Pasolini e Sanguineti
  • HARPER, Margaret (French), Short Narrative Prose and Medicine from "Les Cent nouvelles nouvelles" to Montaigne

1997

  • SCHECHNER, Stephanie (French), Writing Theory, Writing Fiction: The Literary Subject in Sarraute, Beckett and Lacan
  • BECKSTRAND, Lisa (French), Olympe de Gouges and Manon Roland: Constructions of Feminine Identity within the Context of the French Revolution
  • LOCEY, Elizabeth (French), Seducing the Reader: Violette Leduc and the Pleasures of the Text
  • NELSON, Sarah (French), The Dynamics of Androgyny in Agrippa D'Aubingne's "Les Tragiques"
    IRVING, Andrew (French), Maupassant and Solitude: A Critical Analysis of Selected Short Stories by Maupassant in the Context of the Recurring Theme of Solitude
  • JOUAN-WESTLUND, Annie (French), L'éveil à la conscience de soi: Simone de Beauvoir et Serge Doubrovsky
  • DOERR, Hillary (French), Implications of Divine Intervention in Early Old French Narrative
  • GRANT, Michael (French), Re-writing the Self in the French Middle Ages: Dreams, Memories, and Other Visions
  • ASKI, Janice (Italian), Panchronic Variation and Multiple Outcomes: The Developments of Latin /TJ/ and /KJ/ in Italian and Romance
  • PERRAND, Françoise (French), "Le Roman de la Rose": une cartographie du desir
  • PERRY, Alan (Italian), Remembering the Italian Resistance: The Holy Partisan-Martyr and the Rhetoric of Sacrifice

1996

  • TUCKER, Holly (French), Textual Alchemy: Imitation, Transformation and Deception in Charles Sorel
  • JOHNSON, Sharon (French), Battling Social and Sexual Boundaries: Flaubert and Maupassant
  • MIERNOWSKA, Ewa (French), Le dialogue des discours: Une lecture des romans d'Albert Cohen
    WILLIAMS, Eileen (French), Philippe Sollers: Entering the Limit-Text: Readings in Three Late Twentieth-Century French Novels
  • OLSON, Linda (French), Visions in Medieval French Saints' Lives
  • RINGER, Loren (French), Saint Genet Decanonized: The Ludic Body in Querelle
  • MARTIN, Christian (French), La Responsabilité de la littérature
  • KRAUSE, Virginia (French), Studies in Idleness in the French Renaissance: From Romance to the "Essais"
  • KUMAR, Veena (Italian), Feminine Voice and Mythology in 16th-Century Italian Lyric Poetry
  • HARTWIG VAN ELLS, Paula (French), A New Magic: The Role of Imagination in Cyrano de Bergerac's "L'autre monde"

1995

  • FINN, Thomas (French), Molière's Spanish Connection: 17th-Century Spanish Theatrical Influence on Imaginary Identity in Molière
  • ALFIE, Fabian (Italian), "Se io potessi con la lingua dire": Tradition and Innovation in Cecco Angiolieri's Poetry
  • BOLLES, Nancy (French), The Satanic Vision of the Marquis de Sade
  • BEYER, Deborah Berg (French), Submission and the Subversion: A Study of Gender and Class in Emile Zola's L'Assommoir, Germinal, and Nana
  • NASIDI, Mariam (French), L'Adolescente et la recherche de l'identit? dans deux romans français du dix-huitième siècle

1994

  • BEAUCLAIR, Michelle (French), In Death's Wake: Mourning in the Works of Albert Camus and Marguerite Duras
  • WEBER, Elizabeth Dolly Arvai (French), The Power of Speech: Models of Female Martyrdom in Medieval and Early Modern French Literature
  • CASCIANI, Santa (Italian), La Lauda e le "artes praedicandi" nell'Abruzzo medievale con testi inediti
  • HALZEN, Nelly (French), Maurice Blanchot: discours de la terreur dans le champ des revues
  • DEITZ, Merritt (French), Visuality and Difference in the Work of Guy de Maupassant
  • TURNER, Rosine (Italian), Breakdown in Hell: The Figuration of an Epistemological Crisis in the "Divina Commedia"

1993

  • ALLAIRE, Gloria (Italian), The Chivalric Histories of Andrea de Barberino: A Re-Evaluation
  • TSAI, Stephanie (French), L'Expérience de l'absence chez Maurice Blanchot: l'approche de l'éloignement
  • PINZKA, Lauren (French), Sado-Masochism and Literary Production: The Case of Flaubert
  • KRONE, Camilla (French), Medusa: The Myth of Opposition in Baudelaire, Leiris and Cixous
  • LEVI, Joseph (Italian), An Edition and Study of the 14th-Century Italian Translation of Alfonso X, The Wise's "Libro del Saber de Astronomia"
  • LANCASTER, Heather (French), L'Appel à la liberté du lecteur dans la critique littéraire de Jean-Paul Sartre
  • PARKER, Marcia (French), Céleste de Chabrillan — Nineteenth-Century French Theatre: Woman and Character
  • CORBIN, Laurie (French), The Daughter's Authorization: Colette, Simon de Beauvoir, Marguerite Duras
  • VIRTUE, Nancy (French), Representations of Rape in the Renaissance Novella
  • TOUMI, Allaoua (French), Langue française et identité nord-africaine chez Albert Memmi et de Kateb Yacine
  • BOUGUARCHE, Ahmed (French), L'Aliénation et l'Autre: analyse socio-politique de la littérature maghrébine de langue francaise
  • GOODISMAN, Nathalie (French), A Semiotic Analysis of Guillaume Apollinaire's Mythology in Alcools

1992

  • HAND, Sophie (French), Fusing the Biblical and the Arthurian: A Study of Robert de Boron's Poetic Craft in the "Joseph d'Arimanthie"and the "Merlin"
  • BULVER, Kathryn (French), Figurations de la femme dans la littérature fantastique: La femme-démon
  • CANDELA, Giuseppe (Italian), Manierismo e condizioni della scrittura in Anton Francesco Doni
  • SCHEIE, Timothy (French), Body Trouble, Barthes, Theater and the Corporeal Sign
  • CROFTS, Marylee (French), Duras' "Ourika": Race and Gender in Text and Context
  • KRUEGER, Cheryl Leah (French), The Thread of Superfluous Plot: Telling Stories in Baudelaire's "Petits poèmes en prose"
  • KAMBWA, Augusto (French), Les métamorphoses de la liberté (Libertinage et baroque) chez Théophile de Viau
  • KALAS, Taddy (French), La Parole dépossédée ou la démétaphorisation dans le théâtre du dix-septième siècle
  • SARNECKI, Judith (French), Maternal Metaphors: Motherhood and Writing in Marguerite Yourcenar's "Le Labyrinthe du monde"
  • WALTON, Stephen (French), Poetry and Ideology: Ethical Dimensions of Language in Valéry, Eluard, Césaire and Hébert

1991

  • SCUDERI, Antonio (Italian), The Dialectal Poetry of Nino Martoglio: Sociolinguistic Issues in a Literary Context
  • PONT, Carmen Ana (French), Yeux ouverts, yeux fermés: la poetique du rêve dans l'oeuvre de Marguerite Yourcenar
  • HAGEMAN, Jeanne (French), Les Conversations d'Emilie: The Education of Women by Women in Eighteenth-Century France
  • GREENE, John (French), "Les Hommes, les Femmes et les Choses": A Study of Objects in Selected Texts of Nicolas Edme Rétif de la Bretonne and Honoré de de Balzac
  • MARIN, Catherine (French), Pouvoir féminin dans les contes de fées de la fin du 18e siècle en France écrits par des femmes
  • PAULICELLI, L. Eugenia (Italian), Dialogica: tra visibilita' e linguaggio — Leonardo, Marino, Foscolo, Calvino
  • DI MAURO, Damon (French), Between Shadow and Reality: A Study of Robert Garnier's "Les Juifves"
  • AGNELLO-MODICA, Franca (Italian), L'opera narrativa di Oriana Fallaci

1990

  • SMAIL, Kathleen Mulkern (French), Towards an Understanding of Genre: A Study of "L'Homme juste et l'homme mondain" by Simon Bougouin

1989

  • COMOLLO, Adriano (Italian), Religious Dissent in Dante
  • WOODWARD, Servanne (French), Diderot's and Rousseau's Contributions to Aesthetics
  • BISSIERE, Michele (French), Madame Riccoboni: romancière, traductrice, critique
  • FAUVEL, Marie-Louise (French), L'Aventure d'une écriture: la bande dessinée d'essai

1988

  • SZANTOR, Kathleen (French), Jacques le Fataliste: The Philosophy of Aesthetics of Characterization
  • MCELANEY-JOHNSON, Ann (French), Narrative Techniques in Restif de la Bretonne's "La Paysanne pervertie"
  • HAHN, Stacey (French), Patterned Diversity: Hierarchy and Love in the Prose Lancelot
  • STRATTON, Teri (French), Jacques Lacan and His French Leading Ladies
  • ARNETT, Frank (French), The Use of Regional Vocabulary in Selected Novels of Honor? de Balzac and George Sand
  • ROCKWELL, Paul (French), Departures: Sens and Departir in the Prose Lancelot
  • WARREN,Glenda (French), Translation as Re-Creation in the "Roman de Troie"
  • BROWN, Helene (French), L'effet fantastique
  • CROCE, Marcella (Itaiian), Aspetti della tradizione cavalleresca in Sicilia
  • HIXSON, Jeffrey (French), Villier's"Sottisier": A Satirical Reaction to Nineteenth-Century Discourses of Progress and Technology

1987

  • JOHNSON, Mary Greenwood (French), Verbal and Non-verbal Communication in the Theatre of Marguerite Duras: A Thematic and Semiotic Study
  • CARPENTER, Scott (French), Discourses of Madness: A Study of Selected Texts from the Nineteenth Century
  • JONES, Catherine (French), The Noble Merchant: Problems of Genre and Lineage in Hervis de Mes
  • SCULLION, Rosemarie (French), The Discourse on/of Madness in the Writings of Louis Ferdinand Céline

1986

  • PLOYE, Catherine (French), Destruction et création dans "A Rebours" de J.-K. Huysmans
  • MCGOEY, Mary Ellen (French), Rhetorical Strategies in Baudelaire's Criticism of Eugene Delacroix
  • KLAASSEN, Jacqueline (French), A Figure Model for Describing the Interpretation of a Novel: Théophile Gautier's "Mademoiselle de Maupin"
  • KLEIN, Ilona (Italian), Perceptions of Italian Romanticism in German Literary Journals (1815-1830)
  • KOBERSTEIN, Kathy Jo (French), Of Cabbages and Queens: George Sand's "Romans Champêtres"
  • MANTELLO, Elisabeth (French), L'autobiographie dérangée: "Mémoires d'une jeune fille rang?e" de Simone de Beauvoir et "La Bâtarde" de violette Leduc
  • ENGELKING, Tama (French), The Problematics of "la poésie féminine": Parisian Women Poets at the Turn of the Century

1985

  • ROWE, Cynthia Running (French), Jean Genet and Hélène Cixous: Reading Genet through the Feminine
  • SAMPON, Annette (French), Le pouvoir du langage dans l'univers poétique de Francis Ponge
  • MONORCHIO, Giuseppe Carlo (Italian), The Duel in Renaissance Treatises and Epic Poetry
  • GIRELLI CARASI, Fabio Vincenzo (Italian), Lavorare stanca: Canzoniere suo malgrado

1984

  • RIVIELLO, Tonia Caterina (Italian), Agnolo Firenzuola: The Androgynous Vision
  • HOLMLUND, Christine A. (French), Destroy the Old, Suggest the New: Image, Sound and Text in Marguerite Duras' "Détruire, Dit-Elle/Film"
  • PAPIN, Liliane (French), L'autre scène: le théâtre de Marguerite Duras

1983

  • BARAN, James J. (French), Metaphor, Myth and Desire in Zola's "La Curée"
  • MATHER, M. Clare (French), Painterly Theatre, The Problematics of the Plays of Serge Rezvani
  • ADORNI, Sergio (Italian), Edizione critica de "Il Principe Ermafrodito" di Ferrante Pallavicino
  • HOLUB, Renate W. (Italian), On Giambattista Vico's Aesthetics and Poetics: A Critical Introduction
  • JEWELL, Keala Jane (Italian), Configurations of the Enigmatic: Mario Luzi's Recent Poetry
  • ARUNGWA, Chinenye I. (French), Les Influences des théories artistiques de Diderot dans certains de ses romans
  • STRANGE, Alice J. (French), The Theme of Vanity in Book III of Montaigne's "Essais"

1982

  • YEAGER, Jack A. (French), The Vietnamese Francophone Novel: A Literary Response to Colonialism
  • WITKIN, Sylvie C. (French), Laclos et Stendhal: communication épistolaire et communication romanesque
  • LAPARRA, Camille F. (French), Etude figurale de Vautrin dans "La Comédie humaine" de Balzac
  • MARTIN, Laurey K. (French), In the Mind's Eye: The Expression of Perceived Space and Time in the Novels of Emile Zola and in the Art of His Contemporaries
  • WOODWARD, Karen M. (French), Narrative Techniques in Chrétien de Troyes's "Conte du Graal" and Its First and Second Continuations
  • LINDER, Lois J. (French), Drieu la Rochelle, Gracq, Abellio and the Transcendence of History
  • KESTERMEIER, Charles T. (French), Raymond Queneau's "Zazie dans le métro": Structures and Structure

1981

  • COPPAY, Francis Lester (French), Le Récit minimal
  • PAGNUCCI, Mirta (Italian), The Novels of Grazia Deledda
  • JANC, John J. (French), "Mangeront-ils?" de Victor Hugo: étude structuro-sémiotique
  • LAPOINTE, Margaret K. (French), Verlaine's Poetry: Narrative Voice and Indirect Communication
  • MCALLISTER, James G. (French), Poèmes d'Yves Bonnefoy: Le Dialogue tenté: les chemins du retour
  • SWANSON, Severin A. (French), The Problems as Evil as Reflected in the Pulpit Oratory of Eighteenth-Century France
  • CORTESE, Romana (Italian), George Eliot and Dante
  • GISUTI, Franco (Italian), Italian Futurism as a Sociolinguistic Phenomenon
  • STAKEL, Susan (French), Faux Semblant: The Lexical, Thematic and Structural Implications of Deceit in Jean de Meung's "Roman de la Rose"

1980

  • BORTZ, Susan X. (French), Narrative Structures in a Novel and Three Short Films by Jean Cayrol
  • GARNETT, Mary Anne (French), Pseudonym and Identity: The Literary and Psychological Itinerary of Marie d'Agoult
  • HAFNER-BURTON, Kristine Ann (French), Deep Structure and Narrative Text Coherence: A Reading of "Comment Wang-F fut sauvé" by Marguerite Yourcenar
  • O'LEARY, Susan (French), A Semantics of Allegory: A Study of Guillaume de Lorris' "Roman de la Rose"
  • QUINN, Bonnie (French), Metaphor and Meaning in Scève's "Délie"
  • BURKHART, Jeffrey (French), Another Look at the Rococo

1979

  • CASAGRANDE, Gino (Italian), L'edizione critica delle parti inedite dell' "Anticrusca" di Paolo Beni
  • CAMPBELL, William John (French), Sexuality in the Theatre of Molière: A Freudian Analysis
  • STEINWAND, Catherine Marie (French), Stylistic Analysis of Representative Works of Jean-Jacques Rousseau
  • RUGGIERO, Michael Azza (Italian), A Relational, Semantic, and Syntactic Analysis of the Sonnets of Giovanni Battista Marino's "La Lira"
  • VINCENT, Michale C. (French), Le Jeu du langage chez La Fontaine: Essai d'analyse des fonctions poétiques dans quelques fables
  • STOCKINGER, Jacob (French), Violette Leduc: The Legitimizations of La Batarde
  • WOODHULL, Winifred J. (French), Politics, the Feminine, and Writing: A Study of Monique Wittig's "Les Guérillères" and "Brouillon pour un dictionnaire des amantes"
  • BERNDTE, Barbara Anne (French), The Fanciful World of Georges Schehad?
  • KIND, Maureen E., The Quest and Structure in Medieval Romance: "Durmart le Galois", "Meraugis de Portlesguez", and the "Atre périlleux" (F)
  • HANNEY, Roxanne L. (French), The Invisible Middle Term
  • STOW, Harriet Kay (French), Narrative and Thematic Structures in George Sand's "Horace"

1978

  • TARDOLA, M. Elizabeth (French), The Growth of the Anti-Slavery Movement and The Significance of Anti-Slavery Propaganda Plays during the Period of the French Revolution
  • OVER, Eileen M. Julien (French), Orality through Writing: Les Contes d'Amatou Koumba
  • PIWOWARCZYK, Mary Ann (French), The Narratee in Selected Fictional Works of Diderot
  • KOENIG, Ingelise (French), Creation as Sacrilege: A Symbolic study of Michel de Ghelderode's Theater
  • BLACKBOURN, Barbara (French), The Notion of Sovereignty in Desnos' "Corps et biens"
  • KARRH, Phyllis (French), The Politics of Desire: A Study of Desire in the Works of Marguerite Duras
  • DI MARIA, Salvatore (Italian), The "Beffa" as Metaphor in the Italian Renaissance
  • NOWAK, David (French), The Process of Semiosis in "Les Amours jaunes
  • SORRELL, Gregory (French), Panurge, the Protean Rogue: A Study in Rabelaisian Mutations
  • LEE, David (French), Diderot: Content and Form in Selected Dialogues
  • HARMS, Nancy (French), Figures and Figuration in Three Novels by Flaubert: "Madame Bovary," "L'Education sentimental" and "Bouvard et Pécuchet"
  • DECKER, Denise (French), The Romanesque Heroine and Hero in Racine

1977

  • LARSON, Mary Eleanor (French), Arthur Adamov's Esthetic of Theatre
  • SCHMITZ, Betty Ann (French), French Women Writers and Their Critics: An Analysis of the Treatment of Women Writers in Selected Histories of French Literature
  • MILLSTONE, Amy B (French), Feminist Theatre in France 1870-1914
  • MCCARTY, V. Margaret Ward (French), Colette: Theatrical Aspects of the Novel
  • SNELL, Robert (French), Contrainte et liberté; étude d'une convention de la tragédie du XVIe siècle: le récit
  • MCCARTHY, Mary Susan (French), Function and Participation of the Reader in Balzac's "Comédie Humaine"
    VANDERVORT, Mary Elizabeth Egelberg (French), Stendhal and the French Critics of His Time: A Contribution to the Stendhalian Aesthetic
  • CROWDER, Diane G. (Barbara) (French), Narrative Structures and the Semiotics of Sex in the Novels of Alain Robbe-Grillet
  • GUERTIN (Doherty) French), Lois Jeanne, The Women of Musset's Theater
  • VACCARO, James Andrew (French), Jean de Schelandre and his "Trois Premiers de sept tableaux de pénitence"
  • ZINSER, Janice Chiville (French), Political and Religious Rhetoric in the French and Latin Prose Writings of Alain Chartier

 

1976

  • GIULIANI, Oscar (Italian), Allegoria, retorica e poetica nel "Secretum" del Petrarca
  • OLIVER, JoAnn (French), Montesquieu and Rousseau: A Social Contrast
  • MARTIN, Anne (French), Irony and Creativity: A Reappraisal of Gidean Concepts of Reality
  • GRIMAUD, Michel (French), Vers une poétique psychanalytique: Lectures de Victor Hugo
  • COOK, Charles (French), The Problem of Certitude in the Historiography of Pierre Bayle and Voltaire
  • CLOUTIER, Marilyn (French), Remy Belleau's Petites Inventions of 1556: A Generic and Stylistic Study
  • O'HEALY, Anne-Marie (Italian), A Woman Writer in Contemporary Italy: Natalia Ginzburg
  • REEDER, Claudia (French), Maurice Roche: l'écriture en jeu
  • LEWIS, Lillie (French), Restif de la Bretonne: His Social Perspectives and Novelistic Techniques
  • KRAUSS, Janine (French), Le Dom Juan de Molière: une libération
  • TOMICH, Angela Maria (French), Les trois discours de Corneille et la critique du XVIIe siècle

1975

  • BRADFORD, Curtis (French), La Création du poème lamartinien: essais d'interpretation poétique et critique
  • BAIER, Jane (French), The Treatment of Space in Maeterlinck's Theater
  • WOOD, Diane (French), Literary Devices and Rhetorical Techniques in the Works of Helisenne de Crenne
  • KEPNER, Melissa (French), A Study of Themes in the Theater of Villiers de L'Isle-Adam
  • HERKSTROETER, Lynn (French), An Evaluation of Montesquieu's "Lettres Persanes" Based on his "Essai sur le gout"
  • GROOS, Robert (French), Foregrounding and Defamiliarizing in the Rabelaisan Narrative
  • HAWLEY, Daniel (French), L'oeuvre insolite de Georges Bataille: une hiérophanie moderne
  • STECKEL, Ailsa (French), Narration and Metaphor as Ideology in the Novels of Christianne Rochefort
  • GUILD, Susan Savran (French), Les Couleurs chez Gérard de Nerval
  • BLAIR, Tom (French), Le Roman de Sade: la nature comme volcan
  • OLIVER, Dennis (French), The Aesthetics of Pierre Corneille
  • MILEHAM, James (French), Conspiracy, Conspirator, and Victim in Balzac's "Com?die Humaine"
  • CAPOZZI, Frank (Italian), The Evolution and Transformation of the Judith and Holofernes Theme in Italian Drama and Art before 1627

1974

  • PALLUCCHINI, Goffredo (Italian), Antiidealismo e fedeltà al male di vivere nell'opera d'Eugenio Montale
  • BASSANESE, Fiora (Italian), Between Two Cultures: Trieste and Its Writers (1900-1918)
  • MOSELEY, William A. (French), War and Peace in the Works of Ronsard
  • BURKE, Mary Ann (French), The Merveilleux as a Category of Esthetic Expression in a Selection of Medieval Works and in the Surrealist Novels of A. Breton and Louis Aragon
  • ORI, Virginia (French), L'Emploi des images dans les sonnets de Ronsard: La Confrontation de deux conceptions poétiques
  • ROTHSTEIN, Marian (French), "Les Illustrations de Gaule et singularites de Troie": The Making of History
  • COOPER, Barbara (French), Mérimée dramaturge, devant la critique (1825-1970)
  • RADCLIFFE, Peter (French), A Critical Edition of the Poetry and the Music of Gontier de Soignies, Trouvère Hainuyer
  • CARPENTER, Bruce (French), Some Aspects of the Novelistic Technique of Robert Challes: Les Illustres Françoises
  • CROMEY, Nancy Bradley (French), "L'Entrée d'Espagne": Elements of Content and Composition
  • PIERCE, Edward (French), War and the Citizen in the Works of Alain
  • CROUSE, Gale (French), The Poetics of Etienne Jodelle: Theory, Structure and Style
  • BUNDAY, Fr. Roger (French), Calvinist Meditations on the Psalms
  • GERATO, Erasmo Gabriel (Italian), A Critical Analysis of the Poetry and Minor Works of Alessandro Poerio: A New Interpretation

1973

  • REISH, Kathleen (French), J. M. G. Le Clézio: The Building of a Fictional World
  • WRIGHT, Madeline (French), Nathalie Sarraute: "Entre la vie et la mort": une interprétation linguistique
  • BERKVAM, Michael (French), Pierre-Michel Hennin, ses voyages, sa correspondance, 1757-1765
  • CONLEY, Verena (French), Lire les lettres françaises, 1942-1972, Périmètres et limites d'une idéologie
  • GARDNER, David, Person (French), Distance and Perspective in the Short Works of Guy de Maupassant
  • SIMS, Robert L. (French), The Use of Myth in Claude Simon and Gracia Marquez
  • DOHERTY, Cyril (French), The Theme of Culpability in the Literary Works of Jean-Paul Sartre
  • GEISER, Judy (French), The Quest for Personal Identity: A Study of Themes in the Theatre of Samuel Beckett
  • BUTLER, Clinton (French), Fear of the Unknown in Maupassant's Short Stories: A Thematic and Stylistic Study
  • ANDERSON, Robert E. (French), An Essay on the One-Act Play with Special Reference to the Theatre of Dancourt
  • NAISH, Camille (French), Dual Structures in the Poetry and Prose of Jean Genet: A Genetic Approach
  • REMINGTON, Ann M. (French), Patterns of Guilt in Céline's "Mort à crédit" — A Psychoanalytic Study
  • MICHAEL, Colette Verger (French), La Femme et le mal dans "Les Liaisons dangereuses" de Choderlos de Laclos
  • BECKER, Mary Helen Clark (French), Medieval Themes and Forms in "A la recherche du temps perdu"
  • KING, Martha (Italian), The Influence of Byron on Italian Culture

1972

  • SOOS, Emese Margit (French), The "Anabase" of Saint-John Perse
  • WILLIAMS, John (French), Aprippa D'Aubign?'s "Les Tragiques": Cosmic Travail and Redemption
  • CRICHFIELD, Grant, Three Novels of Madame de Duras: "Ourika," "Edouard," and "Oliver"
  • TARRO, Brian (French), An Analytical Study of Structure in "Lorenzaccio"
  • MILLER, William D. (French), A Study of Narrative Technique in Five Early Chronicles of Jean Giono: "Un roi sans
    divertissement," "Noe,'"Le Moulin de Pologne,""Les Ames fortes,""Les Grands Chemins"
  • EVANS, Annette R. (Italian), Ugo Foscolo: The Poet as Critic
  • LACY, K. Wesley (French), An Essay on Feminine Fiction: 1757-1803
  • CROWSON, Lydia (French), The Theater Esthetic of Jean Cocteau
  • WALLEN, Martha (French), The Art of Adaptation in the Fifteenth-Century "Erec et Enide" and "Clig?s"
  • CAULEY, Joseph (French), The Contes of La Fontaine: A Study in Narrative Mode
  • RIFELJ, Carol (French), Diction as a Stylistic Device in Rimbaud's Verse
  • BLACK, Sr. Margaretta (French), Problems and Techniques of the French Novel 1950-1970: A Study of the Literary Theory and Practice of Five Novelists
  • MESSERT, Martine (French), Rabelais and Mythology
  • FUGLIE, Karen (French), Narrative Techniques in the Novels of Barbey d'Aurevilly
  • MORSINCK, Deborah (French), Une Etude critique de Maurice Blanchot romancier
  • SMITH, Peter (French), La Correspondance de Pierre-Michel Hennin, 1745-1752
  • LIPTON, Virginia (French), Women in Today's World: A Study of Five Contemporary French Women Novelists
  • JARAUSCH, Hannelore (French), Beyond the Idyllic Imagination: A Critical Study of Jean-Pierre Claris de Florian
  • CONLEY, Tom (French), Creature Paradox-Narrative Structures in Minor 16th-Century Fiction
  • REISH, Joseph George (French), Antoine Court de G?belin: Eighteenth-Century Thinker and Linguist: An Appraisal

1971

  • GLADISH, Sylvia (French), The Novels of Julien Gracq — A Thematic Study
  • CHURCH, JoAnn Nelson (French), Satirical Elements in the Work of Agrippa D'Aubigne
  • CLOUTIER, Paul (French), A Bergsonian Analysis of the Humor of Anatole France
  • KRETSCHMAN, Michael (French), The House of Atreus: The Use of Classical Myth in the French Theatre: 1540-1970
  • O'DONNELL, Thomas Daniel (French), Joycean Themes and Techniques in the Works of Michel Butor
  • PENCE, Ellsworth (French), Nodier's "Smarra" and a Focus of French Romanticism: 1821 to the Present
  • WEBB, Donald (French), Crises of Identity and Death in "La Nouvelle Héloïse"
  • BALAS, Robert (French), Antonin Artaud, poète
  • DAHIR, Kathleen (French), Simone Weil: Violence and the Intellectual: A Personal Odyssey
  • MAIORINO, Giancarlo (Italian), An Interpretation of the Napoleonic Myth in Literature and Art
  • LICASTRO, Emanuel (Italian), Luigi Pirandello, Dalle Novelle alle Commedie
  • SMITH, Patrick (French), "Les Enchantemens de Bretaigne": An Extract from a 13th-Century Prose Romance, The "Suite du Merlin"
  • PAGES, Irene Marie (French), Le roman de l'existence et le thème de la séparation dans l'oeuvre de Simon de Beauvoir

1970

  • YETIV, Isaac (French), Le Thème de l'aliénation dans le roman maghrébin d'expression française de 1952 à1956
  • DOBBS, Bryan G. (French), A Critical Edition of Hector de Saint-Denys Garneau's "Regards et jeux dans l'espace
  • TOENES, Sara Jane (french), The "Heptameron" of Marguerite de Navarre: A Classification of the Nouvelles
  • KRANCE, Charles Andrew (French), Terpsichore in the Night: Dance Patterns and Motifs in "Voyage au bout de la nuit"
  • QUINTANA, Judith (French), The Development of Malraux's Ideas on Art
  • LISS, Caroline Alinda (French), Esthetic Theory and Practice in Barbey d'Aurevilly
  • BOMER, John (French), The Presence of Montaigne in the "Lettres persanes"
  • MORAVCEVICH, June (French), Monologue et action dans les trois premières tragédies de Racine et dans le théâtre de son temps
  • DE PEAUX, Rowland Charles (French), François Mauriac as Dramatist: A Perspective in Moral Conflict
  • AMES, Sanford (French), The Prose Works of Blaise Cendrars
  • AASKOV, Ruth (French), French Criticism of Racine 1940-60
  • DOOHEN, John P. (French), A Comparative Study of the "Mespris" of Chassignet and the "Theoremes" of La Ceppede
  • GETTE, Luther (French), Agrippa D'Aubigne: Prophetic and Apocalyptic in the Structure and Imagery of "Les Tragiques"
  • GOARD, Robert (French), Baculard d'Arnaud (1718-1805): A Novelist of the Middle Way
  • CONROY, Peter (French), Crébillon Fils and His Novels
  • PETRUCELLI, Gerald (French), Study of "Partenopeu de Blois" (F)
  • APRILE, Max (French), The Unpublished Sketches and Variants of the Brouillons of Madame Bovary: A Critical Edition

1969

  • HARTWIG, Robert J. (French), Marivaux, the Moralist in His Fiction
  • FORTIER, Paul A. (French), Les Univers de signification: Etude d'un processus de stylisation dans les Romans et les Nouvelles d'Albert Camus
  • NELSON, Hilda B. (French), Some Parallels Between the "Conte Fantastique" of the Nineteenth Century and Surrealism
  • STAMBOLIAN, George J. (French), The Inner Door: Types of Creative Encounter in "A la recherche du temps perdu"
  • FERSTL, Sondra R. Mueller (French), The Dramatic Concepts of Paul Claudel
  • NOLAN, Anne Kimball (French), Critical Edition of the Letters of Max Jacob to Marcel Jouhandeau
  • RICE, Donald B. (French), Etude critique des ouvrages romanesques de Michel Butor, 1954-1965
  • RIGOLOT, François P. (French), Problématique et poétique du langage chez Rabelais
  • HILARY, Richard B. (Italian), The Appointments of Pope Pius II (Enea Silvio Piccolomini): 1458-1464

1968

  • CARROLL, Carleton W. (French), A Critical Edition of the Poems of Berenguier de Palazol, Troubadour of Roussillon
  • CHURCH, Dan M. (French), Search for Modern Tragedy: A Study of the Theatre of Albert Camus
  • THIHER, O. Allen Jr. (French), First Person Narrative Technique in the Novels of L. F. Céline
  • ARNOLD, Albert James Jr. (French), Criticism of Paul Valéry: 1890-1927
  • MURPHY, Patricia (French), A Study of the Narrative Techniques of the Abbé Prévost as Illustrated in "Manon Lescaut" and "L'Histoire d'une grecque moderne"
  • SCHNEIDER, Marilyn S. (Italian), Dino Buzzati and the Human Condition
  • BOVA, A. Henry (French), Etude et édition des lettres du Chevalier de Méré
  • WRAGE, Marie-Claire (French), La Structure paradoxale de la poésie de Maurice Scève
  • GERBER, Barbara L.(French), Jean Genet: The Writer as Alchemist Metamorphoses in Fiction and Reality

1967

  • SOLOMON, Philip H. (French), The Imagery of Samuel Beckett: Linguistic Analysis of "Molly"
  • PARKER, Alice A. (French), Problems of Narrative Technique in Diderot. The Relationships Between His Literary Theory and His Fiction
  • STORZER, Gerald H. (French), The Fictional Confession of Adolescent Love: A Study of Seven Romantic Novels
  • O'REILLY, Robert R. (French), The Artistry of Montesquieu's Narrative Tales

1966

  • CARON, Sister Marie-du-Crucifix (French), La Pensée et le style de Sponde dans ses poésies et ses méditations

1965

  • MULLER, Marcel N. (French), Les Modalités de la narration dans "La Recherche du Temps Perdu"
  • HEFKE, George W. (French), Chronologie de la vie et des oeuvres de Gérard de Nerval
    ZIMMERMAN, Eugenia N. (French), Metaphysics and Technique in the Expository Prose of Jean-Paul Sartre — 1936-1960
  • MALUEG , Sara E. (French), The Appreciation of External Nature in Diderot
  • PRICE, Larkin B. (French), A Critical Edition of Marcel Proust's "Les Plaisirs et Les Jours"

1964

  • STOWE, Richard S. (French), Alfred de Musset and His Contemporaries: A Study of the Man and the Artist as He Appeared in His Day
  • WRAGE, William (French), Edition critique du "Spectateur Fracas" de Marivaux
  • ZIMMERMAN, Melvin (French), A Critical Edition of Charles Baudelaire's "Petits Poèmes en Prose"
  • REILLY, John H. (French), A Critical Edition of Giraudoux's "Intermezzo"
  • MEYER, Martine Darmon (French), Lettres et réponses à Sophie Volland: échos politiques, littéraires et personnels
  • JOHNSON, John Theodore, Jr. (French), The Painter and His Art in the Works of Marcel Proust

1963

  • DALE, Robert C. (French), The Poetics of Prosper Mirimee
  • PARKER, S. Emmet (French), Albert Camus: The Artist in the Arena The Dialectics of Commitment: Beyond Left and Right

1962

  • GRAS, Maurice M. (French), Robert Garnier, son art et sa méthode
  • TETEL, Marcel (French), Le Comique de Rabelais
  • ADAMSON, Arthur (French), Baudelaire and Courbet; Idealism, Realism and the Romantic Situation
  • KELLY, Douglas (French), Sens and Conjointure in the "Chevalier de La Charrette" of Chrétien de Troyes
  • NICHOLLS, James Chase (French), A Critical Edition of the Correspondence of Mme. Riccoboni

1959

  • STOLZFUS, Ben (French), Georges Chennevière, His Life and Works
  • NOTHNAGLE, John (French), The Images in the Work of Agrippa d'Aubigné

1958

  • CAPPONI, Guido (Italy), Italy and Italians in Early American Periodicals (1741-1830)
  • EMONT, Milton (French), Seventeenth-Century French Society in the Novels of Charles Sorel
  • NAJEM, Robert Elais (French), A Critical Edition of Voltaire's "Histoire de Jenni"
  • LARSEN, Elayne (French), The Role of Women in the Plays of Giraudoux
  • HELLER, Lane (French), Diderot's Friend Melchior Grimm
  • WACHS, Morris (French), A Study of D'Alembert's "Histoire des Membres de l'Académie française"

1957

  • BUNDY, Jean Davis (French), Fréron's Criticism of Prose Fiction
  • KNECHT, Loring Dahl (French), Sainte-Beuve en face de Montaigne et de Pascal
  • SAISSELIN, Rémy Gilbert (French), L'évolution du concept de l'honnêteté de 1660 à 1789
  • UFFENBECK, Lorin Arthur (French), The Life and Writings of Hortense Allart

1956

  • GRAY, Floyd Francais (French), Le Style de Montaigne
  • REDMAN, Harry Jr. (French), A Critical Introduction to Chateaubriand's "Vie de Rance"

1955

  • SMITH, Harold Lesley, Jr. (French), The Focus of Narration in the Novels of Gustave Flaubert: An Aspect of His Craft of Fiction
  • UNDERWOOD, Eugene Taylor (French), Blueprint for an Ivory Tower: Vigny and Sainte-Beuve
  • POGGENBURG, Raymond Paul (French), Essai Bio-Bibliographique sur Charles Baudelaire

1954

  • BATES, A. Scott (French), The Esthetics of Guillaume Apollinaire

1953

  • TENENBAUM, Louis (French), A History of the Reputation of Stendhal's "La Chartreuse de Parme" 1839-1951
  • LOMBARD, Charles Morris (French), A Re-Evaluation of the Formation and Sources of Lamartine's Eclecticism

1952

  • LEDUC, Albert Louis (French), Character Presentation in Les Hommes de Bonne Volonté of Jules Romains

1951

  • JANKOWSKI, Françoise Marie (French), L'action dans le roman Fracas d'entre deux guerres
  • ROE, Horton Lawrence (Italian), The Camerata de' Bardi and the Foundations of Music Drama

1949

  • JOHNSON, Robert B. (French), A Reexamination and Revaluation of the Dual Nature in the Life and Works of Pierre Loti
  • OSBORNE, Harry W. (French(, A Critical Analysis of "Les Thibault" by Roger Martin du Gard
  • PELL, Carroll Lee (French), The Literary Ideas of Friedrich Melchior Grimm

1948

  • SACHSE, Johannes (French), La Chanson du Chevalier au Cygne: an edition of the Old French Epic Poem as Found in Ms.12558, fonds Français, of the Bibliothèque Nationale in Paris
  • WITHERELL, Louise Rowan (Mrs.) (French), The Literary Development of Andre Malraux from His Earliest writings throughVol. I of "La Lutte avec l'Ange"

1947

  • GLAUSER, Alfred (French), Albert Thibaudet et la critique créatrice

1946

  • HAMPL, Constance Ann French), Georges Duhamel and Some Contemporary Problems

1945

  • CLARK, Eunice (French), The Naturalism of Jules Renard

1944

  • NYABONGO, Virginia Simmons (French), Achievement in Modern Foreign Languages in Negro Colleges of America
  • WIRTZ, Dorothy M. (French), Gustave Flaubert: Pictorial and Plastic Artist

1943

  • CHITWOOD, Elizabeth Ann (French), The Miser in "La Comédie Humaine"
  • McCLAIN, William Harold (French), Goethe as a Factor in Romain Rolland's Evolution as a Social Thinker
  • SALZ, Lily (French), The Evolution of André Gide's Social Consciousness

 

1942

  • GODING, Stowell C. (French), Henry Bernstein: The Evolution of a Playwright
  • KENNEDY, Margaret Mary (French), French Prose Fiction in English Translation, 1700-1750: A Bibliographical Study

1941

  • BARKER, Nancy Montgomery (French), Color and Sound in Rostand's Drama
  • BOTTKE, Karl G. (French), Godefroy de Bouillon: An Edition of Ms. 3139 of the Arsenal Library, Paris
  • COX, Roy Alan (French), Pessimism in the French Drama of the Post-World War Decade, 1919-1931
  • HEFLER, Alden R. (French), Tristan Bernard
  • JANKOWSKI, Witold (French), A Critical Study of the Work of Julien Benda
  • RENKENBERGER, Bertram (French), "Philosophy" in the Tragedies of Voltaire
  • ROEMING, Robert F. (French), The Evolution of the "Nouvelle Revue Francaise"

1940

  • ELLISON, Reuben Young (French), Sacha Guitry, Virtuoso of the Theatre
  • GALPIN, Alfred (French), Balzac and Bonald
  • HALL, Marie-Louise Michaud (French), Montaigne et ses traducteurs
  • WOOD, Everett Toy (French), Evolution of Major Ideas of Maurice Barr?s

1939

  • BEYER, Ruth Laura (French), The Useful Drama in Modern French Literature
  • HANSON, Betty Blair (French), Representative Tendencies in Post-War Drama in France
  • LICHTY, Elizabeth Ellen (French), The Realistic Treatment of Love in the French Drama

1938

  • ANDRADE, Marguerite Louise (French), Estauni? et la Vie de Province en Bourgogne
  • BROCK, Ignatius Wadsworth (French), Etienne Pasquier: A Representative Figure of Sixteenth-Century France
  • COOK, Hulet Hall (French), Hervieu and His Art
  • EZBAN, Selim (French), Le classicisme de Pierre Lasserre
  • GIBSON, Delbert L., The United States as Seen in the Leading French Literary Periodicals, 1900-1930
  • GIVENS, Mary Louise (French), Balzac and the Roman Personnel: A Study of "Le Lys dans la vallée"
  • LUZENSKA, Kunda (Mrs. Barney Swan), The Relation between Maeterlinck's Dramas and Essays
  • PARSELL, Jack Rogers (French), l'Esthétique de Jules Lemaître

1937

  • FICKEN, Clarence Elwood (French), Intercorrelations of Part Scores in Foreign Language Tests
  • HAMMES, Mary C. (French(, The Ethical Influence of Molière's Tartuffe in the Opinion of Its French Critics
  • MILLIGAN, Edward Elgin (French), Molière and Naturalism
  • PALMERI, Joseph (Italian), Luigi Riccoboni, Actor-Critic of the Eighteenth Century
  • TUCKER, Joseph Eagon (French), Molière in England, 1700-1750
  • VIRTANEN, Reino (French), R?my de Gourmont and His Significance for French Pre-War Thought

1936

  • BONING, William Jones (French), Cherbuliez-Valbert Publicist of the "Revue des deux mondes"
  • IRWIN, John (French), Platonic Elements in Renan's "L'Avenir de la science"
  • WALKER, Mary Jo (French), A Critical Study of the Intermediate and Proficiency Examinations in French at the University of Wisconsin

1935

  • BOE, Lois Margretta (French), The Conception of French Naturalistic Tragedy
  • CLAPP, Harold LeRoy (French), Georges Courteline

1934

  • COVERT, Marjorie Anna (Mrs. W. Van Roosbroeck) (French), Realism in the Prose Theatre of France and England,1890-1910
  • ROSSI, Joseph (Italian), I principi critici di Francesco De Sanctis
  • ROY, Francis A. (French), Les Theories dramatiques de Diderot

1933

  • KNOTT, J. Proctor (French), The Legal Character in French Drama
  • STAUDT, Catherine Margret (Mrs. Olaf Jordahl) (French), The Peasant in the French Theater of the Eighteenth Century

1932

  • BENNETT, Ethel M. (French), Contemporary Life and Event in Corneille's Tragedies
  • LEVEQUE, André Camille (French), François de Curel
  • PENN, Dorothy (French), The Staging of the "Miracles de Nostre Dame par personnages"
  • POHLE, Helen Londora (French), The Judgment of Critics upon Molière's Misanthrope as a Measure of His Skill as a Painterof Character
  • WILMARTH, Wilson Elery (French), The Literary Criticism of Etienne Pasquier
  • BRADLEY, Robert Foster (French), Ernest Feydeau, His Life and Work

1931

  • HOCKING, Elton Capper (French), Brunetière's Conception of Art

1930

  • FLINT, Rebecca Punchard (French), The Attitude of Brunetière toward the Novelists and Poets of His Age
  • GULLETTE, Cameron Charles (French), The Growth of Realism in Alphonse Daudet
  • HOCKING, Elton Capper (French), Brunetière's Conception of Art

1929

  • ROCKWOOD, Stanley Walker (French), A Comparative Study of the Works of Pierre Loti and Joseph Conrad
  • TREILLE, Marguerite H. (French), Conflit dramatique en France de 1823 à1830 d'après les journaux et les revues du temps

1927

  • SCALLON, Brighidin Trumble (French), Scherer in France
  • VACQUIER, Tatiana (Mrs.) (French), F. M. Dostoievsky and Andr? Gide: A Parallel Study

 

1926

  • JORDAN, Brady R. (French), Influence of the Dreyfus Affair upon Prominent Literary Figures

1925

  • ACTON, Hul-Cee Marcus (French), The Soldier in Modern French Drama
  • SMITH, Helen Belle (French), The Skepticism of Anatole France

1924

  • GRUNDLER, Augustus Ferdinand (French), Growth in the Miracles de Notre Dame (MS Cang?)
  • LEBERT, Eugene Marie (French), L'imagination d'Alfred de Vigny et la science de son époque et autres additions à sa
    biographie intellectuelle

1923

  • PFLUEGER, Luther Appel (French), Voltaire's Relations to English Literature

1921

  • FITE, Alexander Green (French), A Study of Manuscript 627 of the Berne Library on the Epic Poem "Godfroi de Bouillon"
  • LANDER, Helen Mary (Mrs. Helen May) French), The Doctor on the French Stage
  • WILSON, James Herbert (French), La vie po?tique de Guillaume d'Orange

1920

  • HACKER, Emil Frederic (French), The Infinitive in French from 1300-1450
  • ROSS, Leslie Truesdale (French), A General Treatment of Rostand the Dramatist

1919

  • CONRAD, Elizabeth (French), Evolution of French Criticism of the Social Drama of Ibsen from 1890-1906
  • GOGGIO, Charles (Italian), L'uso in italiano del condizionale passato per il presente dello stesso modo
  • HERRICK, Louis Rowell (French), Contribution of the Fabliaux to Our Knowledge of Medieval Civilization

1917

  • DEGELER, Alida (French), The Devil: A Dramatic Figure in the Religious Dramas of Medieval France

1914

  • GALLAND, Joseph Stanislaus (French), The Epic History of Godfrey of Bouillon and His Family

1913

  • DEVRIES, Louis Peter (French), Realism in the Modern Drama and Novel (A Comparison)
  • CATTELL, James Llewellyn (French), "Le Menage ? trois"in French Dramatic Literature

1912

  • YOUNG, Charles Edmund (French), Idealistic Elements in the Modern French Drama

1911

  • MICHELL, Robert Bell (French), The Poetic History of Duc Naimes de Bavi?re

1909

  • COOL, Charles Dean (French), French Literature in American Magazines prior to 1831
  • SCHLATTER, Edward Bunker (Italian), The Development of the Vowel of the Initial Syllable in Italian

1907

  • PATZER, Otto (French), Eustache Deschamps as a Commentator upon the Events and Conditions of His Time

1902

  • BRAUER, Gustav (French), The Philosophy of Ernest Renan