Minos: how does indicate the place for each sinner?
Incontinence: Lust, Gluttony, Avarice, Prodigality, Anger
Measure, moderation (misura)
The Primary Good (Primum Bonum) (= God)
Secondary Goods
Incontinence is a sin committed ex infirmitate / ex passione (out of weakness/passion) (involves oneself)
Malice is a sin committed ex electione / ex intentione (out of choice/intention) (involves others)
The Lustful Sinners:
Semiramis
Dido
Cleopatra
Helen
Paris
Achilles
Tristan
The hierarchy of sins and the rule of placement: the case
of Dido
Paolo and Francesca
Gianciotto
the "love" tercets: Guido Guinizzelli / Andreas Capellanus (De arte oneste amandi: The Art of Courtly Love)
Lancelot and Guinevere
Dante's collapse at the end of the canto
Canto 6
Cerberus: the nature of the infernal guardians
Virgil's action to silence Cerberus
Cerberus's connection with Lucifer
The appearance of the souls: incorporeality, but...
Ciacco, the first Florentine sinner
Gluttony = rampant consumerism
The human body --> body politic
Florence: the first prophecy concerning the "divided city"
The clash between human and divine perspectives: the "ben far" (the good)
The Last Judgment: the "vera perfezion" (true perfection)
Canto 7
Plutus and his garbled speech
Virgil alters the "formula"
Michael the Archangel
The avaricious and prodigal: their punishment and movement in the circle
The discussion of Fortune
The four positions of the person on the wheel of Fortune and their accompanying descriptive phrase:
Regno: I reign, I am master
Regnavi: I have reigned
Sum sine regno: I am without possessions
Regnabo: I shall reign
The descent to the marsh of the Styx
Styx: the "moral" geography (Servius: "the Styx is named from sadness": "a tristitia Styx dicta est")
Three classes of wrathful (St. Thomas): acutos (easily angered); difficiles (vindictive); amaros (sullen)
Canto 8
The mysterious tower(s): what is going on here?
Phlegyas
Filippo Argenti, the wrathful Florentine: his particular relationship to Dante
The limits of anger: bona ira (righteous anger) and mala ira (sinful anger)
The approach to the City of Dis and the "defeat" of Virgil at the hands of the rebellious angels
Canto 9
The tension before the gates of Dis
The Furies and the threat of the Medusa
Theseus, the Duke of Athens
The address to the reader: forward or backward looking?
The coming of the Divine Messenger
Canto 10
Heresy: a sin of the speculative intellect (not incontinence or malice, not a sin of the appetite nor of the will), which is caused primarily by pride
The heretics, Epicureans (denied the immortality of the soul and the existence of the afterlife) (finite, earth-based vision)
The creation of surrogates of the deity:
Farinata degli Uberti: his own "trinity" (self, family, party)
Cavalcante dei Cavalcanti (Guido's father): the supremacy of intellect
Iconographic inversion, perversion, parody
Canto 11
Classification of sins: Incontinence and Malice: with force / with fraud
Incontinence: a sin committed ex infirmitate / ex passione (out of weakness/passion) (involves oneself): passion is aroused by something extrinsic, and this causes the movement of the will to sin
Malice: a sin committed ex electione / ex intentione
(out of choice/intention) (involves others): the movement of the will to
sin is caused by something intrinsic
Canto 12
The Minotaur: mad bestiality
The violent against others, immersed in the Phlegethon, which is patrolled by the centaurs (Chiron, Nessus, Pholus, etc.)
The nature of the infernal guardians in Lower Hell
Canto 13
The violent against themselves: the wood of the suicides
Pier delle Vigne
The anonymous Florentine suicide
The squanderers of their substance
Canto 14
The burning sand: the violent against God: the blasphemers
Capaneus, one of the Seven Kings against Thebes
The Old Man of Crete (il Veglio di Creta) and the origin of the infernal rivers: Acheron, Styx, Phlegethon, Cocytus
Canto 15
The burning sand: the violent against God's child Nature: the sodomites
Brunetto Latini, Florentine intellectual: Il Tesoro, Il Tesoretto (The Treasure, The Little Treasure)
"How man makes himself eternal"
Canto 16
The three Florentine sodomites: Guido Guerra, Jacopo Rusticucci, and Tegghiaio Aldobrandi
Dante's "cord" and the advent of Geryon
Canto 17
Geryon
The violent against God's grandchild Human Industry: the usurers
The money bags that hang around the usurers' neck that bear the heraldic coat of arms
The descent to the Malebolge ("Evil Pouches") on Geryon's
back
Canto 18
The eighth circle: Malebolge ("Evil Pouches"): the ten concentric ditches (bolge)
Malebolge (< "Le Balze" outside Volterra)
Pope Boniface VIII proclaims the Jubilee Year (1300) with promises of plenary indulgences
The first bolgia: the panders (Venedico Caccianemico) and seducers (Jason)
Humor through derisive language and laughter
The second bolgia: the flatterers (Alessio Interminei da Lucca and Thais)
Harshness of language